Melancholy I-II is a fictional invocation of the nineteenth-century Norwegian artist Lars Hertervig, who painted luminous landscapes, suffered mental illness and died poor in 1902. In this wild, feverish narrative, Jon Fosse delves into Hertervig’s mind as the events of one day precipitate his mental breakdown. A student of Hans Gude at the Academy of Art in Düsseldorf, Hertervig is paralyzed by anxieties about his talent and is overcome with love for Helene Winckelmann, his landlady’s daughter. Marked by inspiring lyrical flights of passion and enraged sexual delusions, Hertervig’s fixation on Helene persuades her family that he must leave. Oppressed by hallucinations and with nowhere to go, Hertervig shuttles between a cafe, where he endures the mockery of his more sophisticated classmates, and the Winckelmann’s apartment, which he desperately tries to re-enter – a limbo state which leads him inexorably into a state of madness. Published here in one volume in English for the first time, Melancholy I-II is a major novel by ‘the Beckett of the twenty-first century’ (Le Monde).

‘Jon Fosse is a major European writer.’
— Karl Ove Knausgaard, author of My Struggle

‘Fosse has been compared to Ibsen and to Beckett, and it is easy to see his work as Ibsen stripped down to its emotional essentials. But it is much more. For one thing, it has a fierce poetic simplicity.’
— New York Times

‘Jon Fosse has managed, like few others, to carve out a literary form of his own.’
— Nordic Council Literary Prize

Praise for Septology

‘Fosse has written a strange mystical moebius strip of a novel, in which an artist struggles with faith and loneliness, and watches himself, or versions of himself, fall away into the lower depths. The social world seems distant and foggy in this profound, existential narrative.’
— Hari Kunzru, author of White Tears

‘I hesitate to compare the experience of reading these works to the act of meditation. But that is the closest I can come to describing how something in the critical self is shed in the process of reading Fosse, only to be replaced by something more primal. A mood. An atmosphere. The sound of words moving on a page.’
— Ruth Margalit, New York Review of Books

‘Septology feels momentous.’
— Catherine Taylor, Guardian

‘Fosse intuitively — and with great artistry — conveys ... a sense of wonder at the unfathomable miracle of life, even in its bleakest and loneliest moments.’
— Bryan Karetnyk, Financial Times

‘The entire septet seems to take place in a state of limbo. ... Though Fosse has largely done away with punctuation altogether, opting instead for sudden line breaks, his dense, sinuous prose is never convoluted, and its effect is mesmerizing.’
— Johanna Elster Hanson, TLS

Jon Fosse was born in 1959 on the west coast of Norway and is the recipient of countless prestigious prizes, both in his native Norway and abroad. Since his 1983 fiction debut, Raudt, svart [Red, Black], Fosse has written prose, poetry, essays, short stories, children’s books, and over forty plays, with more than a thousand productions performed and translations into fifty languages. Aliss at the Fire is his fifth work of fiction to appear with Fitzcarraldo Editions, after Scenes from a Childhood, The Other Name: Septology I-II, I is Another: Septology III-V, and A New Name: Septology VI-VII.

Damion Searls is a translator from German, Norwegian, French, and Dutch and a writer in English. He has translated seven books and a libretto by Jon Fosse – Melancholy (co-translated with Grethe Kvernes), Aliss at the Fire, Morning and Evening (novel and libretto), Scenes from a Childhood, The Other Name: Septology I II, I is Another: Septology III-V and A New Name: Septology VI-VII – and books by many other classic modern writers.

Grethe Kvernes is a native of Samnanger, Western Norway, one county over from where Fosse grew up. She studied translation with William Weaver at Bard College, and currently lives with her family in upstate New York.