The Novel Prize

The Novel Prize is a biennial award for a book-length work of literary fiction written in English by published and unpublished writers around the world. It offers $10,000 to the winner and simultaneous publication in North America by New York-based New Directions, in the UK and Ireland by the London-based Fitzcarraldo Editions, and in Australia and New Zealand by the Sydney-based publisher Giramondo. The prize rewards novels which explore and expand the possibilities of the form, and are innovative and imaginative in style.

Fitzcarraldo Editions, Giramondo and New Directions are pleased to announce the shortlist for the 2024 Novel Prize, a biennial award for a book-length work of literary fiction written in English by published and unpublished writers around the world.

The shortlist, selected from 1100 submissions, is: 

  • How To Live Together by Rey Conquer, a novel about an academic who moves into a house to cat-sit, seeking solitude away from the pressures of having to relate to others – only to discover that the cats present their own challenges of relation. Through a kaleidoscopic prose form, How to Live Together explores the relationship between queerness, nature and a masculine fantasy of self-sufficiency, questioning the human projections and desires bound up in the genre of nature writing, and exploring what an authentic relationship between humans and non-humans – as well as between humans – might be. Rey Conquer is a writer and translator. In 2024 they were inaugural translator-in-residence at Holocaust Centre North and they teach German and Film part-time at Queen Mary University of London. They have written an academic monograph on German modernist poetry and art writing, Reading Colour (2019), and reviews and essays on a range of topics (German literature, art and religion, queer morality) for TLS, LA Review of Books, Burlington Contemporary and others. Their poetry has appeared in small magazines including zarf and amberflora and they are a member of The Fair Organ, a creative research collective.
  • Touch Me Now by Neal Amandus Gellaco, which weaves a kaleidoscopic tapestry of contemporary Filipino life across a fortnight, against a backdrop of escalating political and military tension. Opening on the third Sunday of October, as the Dela Rosa family hold a feast in celebration of Our Lady de Navire, the narrative delves into each character in turn, culminating in the president’s declaration of martial law and a rally in Mendiola. Part Two resumes on the last Saturday of October, at a party held despite the strict governmental curfews and public searches. The intertwining lives of the characters continue, as the tightening clutches of tyranny force small businesses to close, with the price of food ever-increasing and daily life now lived under the waiting, watching presence of guns. Neal Amandus Gellaco is a Teaching Associate at the Department of English and Comparative Literature at the University of the Philippines Diliman, where he is pursuing his MA in English Studies: Anglo-American Literature. Touch Me Now is his first novel.
  • Porcupine by Nick Holdstock, a novel which recreates the first meeting of the art historian Aby Warburg and the philosopher Ernst Cassirer in a Swiss asylum in 1924. A brilliant Renaissance scholar, Warburg became increasingly afraid of political and social collapse and the rise of anti-Semitism during the aftermath of the First World War, fears which led to a psychotic breakdown. Warburg is in a highly paranoid state when Cassirer visits, and as the two men walk loops of the institution gardens, he conducts a series of circular, elliptical monologues, an escalating struggle between his psychosis and his attempts to lucidly convey his core ideas and convince Cassirer of his sanity. Porcupine engages philosophical and intellectual debates inspired by the scholarship of both men, with Warburg’s need for connection at its emotional heart. Nick Holdstock’s most recent novel Quarantine was published by Swift Press in 2023. His previous books are The Tree That Bleeds (Luath, 2011), The Casualties (St Martins Press, 2015), China’s Forgotten People (Bloomsbury, 2015, 2019), Chasing the Chinese Dream (Bloomsbury, 2018) and The False River (Unthank, 2019). He writes for the TLS, the FT, the Guardian, the LRB and the Literary Review, among other publications.
  • Ruins, Child by Giada Scodellaro, a hybrid novel written in triptych form which renders the lives of six cohabiting women, and the community/landscape in which they exist. A surreal musing, this work uses the lens of urban infrastructure, social commentary, folklore, choreography and collective listening to create an ethnography of place and an ode to communal ruins. Giada Scodellaro was born in Naples, Italy and raised in the Bronx, New York. She is a writer, photographer, and translator who holds an MFA in Fiction from The New School. Giada’s writings have appeared in or are forthcoming from the New Yorker, BOMB and the Chicago Review of Books, among other publications. Giada is a recipient of a MacDowell Fellowship, and is the inaugural Tables of Contents Regenerative Residency fellow. Her debut collection, Some of Them Will Carry Me, was named one of the New Yorker’s best books of 2022.
  • Moss House by Hollen Singleton. Within days of a mysterious airborne event in the Tasman, mosses grow over streets and houses, starting in Sydney and spreading along the coast. Green auroras appear in the sky at night, disturbing electricity and the internet, raising speculation about their effect on the human population residing under the new lights. The story moves through multiple perspectives, centring on Matt, a visitor, and the housemates he joins: Gia, Jayden and Neve. Matt is from the west coast of Aotearoa, accompanied by his ghost; Neve is from Lord Howe Island and aims to return; Gia and Jayden focus on the share house – on rent, jobs and meals – and on protecting it against the rapidly changing outside world. Mosses expand, transforming the landscape and people. Over a span of ten days, housemates disappear. Some change, some flee, and some remain in waiting. Hollen Singleton is a writer and editor in Naarm and teaches at the University of Melbourne and RMIT. They live in Sunshine.

The winner will be announced in February 2025 and published in early 2026.

Jessica Au won the inaugural Novel Prize in 2020 for Cold Enough for Snow. The novel, selected from over 1500 entries worldwide, was published in English in February 2022 and was published in 22 territories. The novel went on to win the 2023 Victorian Premier’s Literary Award and the 2023 Victorian Prize for Literature, among other prizes. The other shortlisted entries were Glenn Diaz’s Yñiga, Emily Hall’s The Longcut, Christine Lai’s Landscapes, Nora Lange’s Us Fools, and Lani Yamamoto’s Ours and Others’.

In 2022, the Novel Prize was shared by Jonathan Buckley for Tell and Anne de Marcken for It Lasts Forever and Then It’s Over, selected from close to 1,000 submissions.The other shortlisted titles for the 2022 Novel Prize are Darcie Dennigan’s Forever Valley, Marie Doezema’s Aurora Australis, Florina Enache’s Palimpsest, Vijay Khurana’s The Passenger Seat, Valer Popa’s Moon Over Bucharest, and Sola Saar’s Anonymity Is Life

The winner of the 2024 Novel Prize will be announced in February 2025. It is managed by the three publishers working in collaboration. Submissions were open from 1 April to 1 June 2024, with New Directions reading submissions from the Americas, Fitzcarraldo Editions from Africa and Europe, Giramondo from Asia and Australasia.

Prior to the launch of the Novel Prize in 2020, Fitzcarraldo Editions ran an annual novel prize for authors resident in the UK and Ireland. Adam Mars-Jones was awarded the 2019 Fitzcarraldo Editions Novel Prize for Box Hill, a strangely tragic love story between two men set in the gay biker community during the late 1970s. The winning novel was one of 321 submissions. Jeremy Cooper won the inaugural Fitzcarraldo Editions Novel Prize in 2018 for Ash before Oak, a novel in the form of a nature diary, obliquely charting the narrator’s slow return to health. The winning novel was one of 181 submissions.

TERMS AND CONDITIONS

Please read these eligibility and entry rules carefully before submitting. Submission of an entry is taken as acceptance of the entry rules. For any queries not covered below, please [email protected].

1. The competition is open to published and unpublished writers around the world. Writers based in Africa and Europe should submit to Fitzcarraldo Editions. Writers based in the Americas should submit via New Directions; writers based in Asia and Australasia should submit to Giramondo. For more information please visit thenovelprize.com. 

2. Entrants residing in Africa and Europe should submit a full manuscript of their novel (minimum 30,000 words) to [email protected]. The manuscript should be double-spaced, 12pt.

3. Each submission should include a cover letter including a biographical note, contact details and brief outline of the novel.

4. The submission must be original. 

5. Entries can also be sent by post to Fitzcarraldo Editions, A103, 8-12 Creekside, London SE8 3DX.

6. Only submissions received by email or by post by midnight on 1 June 2024 (GMT) will be considered.

7. Entries that are incomplete, corrupted or submitted after the deadline will not be considered.

8. The entry must be the entrant’s own original creation and must not infringe upon the right or copyright of any person or entity.

9. Co-authored entries will not be accepted.

10. Writers who have existing contracts, or who have previously held contracts, with publishers for books of fiction or non-fiction are eligible to enter.

11. Writers who have published writing (fiction or non-fiction) in magazines and journals are eligible to enter.

12. Writers who have published books of poetry are eligible to enter.

13. Writers may submit only one manuscript per iteration of the prize.

14. The novel must be written in English (no translations).

15. Submissions may be made by the author of the novel or (if they have one) their agent.

16. There are no age restrictions, and we welcome submissions from writers of all backgrounds.

17. Submissions from writers residing outside of Africa or Europe will not be considered or passed on to the relevant publishers.

18. All submissions should include page numbers.

19/ The novel must be original and should not have been previously published anywhere in full. Published work is taken to mean published in any printed, publicly accessible form, e.g. anthology, magazine, newspaper. It is also taken to mean published online, with the exception of personal blogs and personal websites.

20. A shortlist will be announced in January 2025. The winner will be announced in February 2025, and published in early 2026.

21. Fitzcarraldo Editions, Giramondo and New Directions reserve the right to organise a meeting or phone call with all shortlisted writers to discuss their novel before the award of the prize.

22. Unsuccessful entrants will not be contacted.

23. No editorial feedback will be provided to unsuccessful entrants.

24. The decision of the judges is final and no correspondence will be entered into regarding the judging process.

25. Fitzcarraldo Editions, Giramondo and New Directions will have the exclusive world rights to publish the winning novel.

26. Fitzcarraldo Editions, Giramondo and New Directions reserve the right not to award the prize this year, or to make multiple offers of publication.

27. Only submissions which meet all Terms and Conditions will be considered.

28. By entering this competition, each entrant agrees to be bound by these Terms and Conditions.